Sunday, 13 February 2011

MA- Classification

As we previously said in our treatment we are aiming for a 15 rating on our opening.  After looking at the BBFC website we still think that our film fits with their 15 criteria.
The reason we have gone for a 15 rating rather than a 12 is because the BBFC states that classification is stricter on video works and we feel that the violence we imply is quite strong. The BBFC have this view on horror;
Horror
The use of frightening elements which might scare or unsettle an audience is part of a long tradition of story telling and film making. Many children enjoy the excitement of scary sequences, but, where films are targeted at a younger audience, classification decisions will take into account such factors as the frequency, length and detail of scary scenes as well as horror effects, including music and sound, and whether there is a swift and reassuring outcome.
Older audiences often pay to see horror films because they like being frightened or shocked and such works are classified at an appropriate category to ensure that the young and vulnerable are protected from too intense an experience.

We feel that our film although we are trying to build up tension throughout we dont show any violence till the end which is a very short sequence and we do not show any gore but let the audience use their imagination.
The BBFC's criteria of violence only changes slightly between 12 and 15 ratings.

Violence- 12 RATING
Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.

Violence- 15 RATING
Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable.
There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

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